Helmed by Portishead co-founder Geoff Barrow, this scabrous though undernourished debut feature turns a sceptical eye on 90s rave culture. Self-serving pillhead David (Marc Bessant) initially steals from an unconscious dealer, then in a later recollection tries to burgle his own parents. In no time, he's overturned in the wreckage of his car in a woodland – and subject to the wrathful eye of the Poacher (Sleaford Mods frontman Jason Williamson). Declining to free David, with no time for townies, he is broken Britain personified: “You’re one of those noisy cunts from up on the heath.”
Unsteady Opening and Darkly Funny Confrontation
The film begins uncertainly, spending too long on meticulously detailing David’s attempt to free himself from his seatbelt, while awkwardly transitioning into flashbacks of his everyday life. The central theme – that the rave-era youth were mainly focused on themselves – is clearly conveyed. But these vignettes are too thin to adequately prepare us for what to expect when the Woodsman turns up, enraged after David strangles his dog. Nevertheless, a darkly funny duel unfolds – David eager to get away; the Poacher withholding his jerrycan of cider, intent on dousing him instead in resentful talk. Williamson, projecting ponderous menace in the role, is reminiscent of Michael Smiley.
Visual Flair and Promo-Inspired Sensibility
Just a single key story turn, but it leads to a comically executed chaotic run on the woodland paths that dips close to rural terror. Director John Minton finally gets to go all in with his showy imagery: where he was hunkered down doing impressionistic closeups of insects in the light in the early stages, he now lets rip with the full psychedelic grand display, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an elongated music video than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into making the leap from the Brit music promo scene.
Game releases in UK and Irish theaters from November 17.
